Alice: An Appreciation

“They gave me funny things to do, and I did them funny. That’s the way it’s supposed to work.”—Ann B. Davis
(May 3, 1926-June 1, 2014)

Ann_B._Davis_1973

This review is part of the Summer of MeTV Classic TV Blogathon hosted by the Classic TV Blog Association. Click here to check out this blogathon's complete schedule.

This review is part of the Summer of MeTV Classic TV Blogathon hosted by the Classic TV Blog Association. Click here to check out this blogathon’s complete schedule.

As a mental exercise, try to imagine someone other than Robert Reed and Florence Henderson playing The Brady Bunch’s parents. As important as those actors were to the show’s success, many others could have probably managed a respectable “wise father” or “concerned mother” role.

Now, picture other children replacing the familiar Brady kids. As appealing as the entire juvenile cast was, 1970s casting agents could surely have supplied other hunky teen boys and All-American girls with “hair of gold” to play what were basically average kids.

It is much harder to envision anyone other than Ann B. Davis wearing Alice Nelson’s blue uniform. She was as central to The Brady Bunch as she was on the show’s opening-titles grid.

Ann B. Davis was irreplaceable.

That’s what made her passing such sad news, even though she had lived a full and seemingly happy, spiritually fulfilled 88 years.

Overnight Success

Few actors have kept their private lives as private as Davis did. All her obituaries outline the same basic facts: She was born in Schenectady, New York, and raised in Erie, Pa. As a child, she caught the performing bug while putting on shows with her twin sister Harriet. Her mother was an amateur actor, and her older brother was a professional dancer who would appear on Broadway. Ann enrolled at the University of Michigan with plans to be a doctor, but soon switched her focus to acting. After graduating and heading to California in 1948, she did theater and nightclub work until getting her big break.

That was her supporting role as Schultzy on The Bob Cummings Show (Love That Bob), for which she would win two Emmys. The show ran from 1955 to 1959 and was a major ratings success, and Davis’ role as Cummings’ lovelorn, plain-Jane assistant brought her fame.

“I was an overnight success at 28,” she said in a 1989 interview. “I began to understand the power of TV. Within five weeks–and I was playing a small part, a supporting part–after the series went on the air I was recognized on the street wherever I went. Very scary!”

The show was never widely syndicated, so it is unfamiliar to most people my age and younger.

https://www.youtube.com/watch?v=3WYWRduE8w8&list=PLOoWves5HVWN2kHELLxAcYMxW4u3k7o2S&index=7

As you can see from this clip, Schultzy shares certain qualities with Alice Nelson and other classic TV “old maids,” such as Sally Rogers and Jane Hathaway—a lack of feminine graces combined with desperate, unfulfilled man-hungriness.

All About Alice

As Alice, Davis delivered many self-deprecating punchlines. As a kid, I saw Alice as she presented herself to the audience—plain, overweight, old. Having reached Alice’s age myself, I see things differently, of course, and wonder how Davis felt about her portrayal.

She claimed to take it in stride.

“I know at least a couple hundred glamour gals who are starving in this town. I’d rather be myself and eating,” she said.

Her Brady Bunch role combined a poor self-image and an unflattering costume with corny jokes and broad physical humor. If everyone was doing the hula, Alice would be throwing her back out. If a bucket of paint appeared, Alice would be stepping in it. If someone built a dunk tank in the back yard, Alice was getting wet.

It all added up to a role many actors would have hated. Indeed, Davis’ co-star Robert Reed, went nearly mad with disgust over the show’s scripts. He would fire off multi-page memos to producers about the show’s implausibilities, many of which involved Alice. “Even a laugh machine would balk,” he wrote about typical tag scene.

Davis was different. Like Alice delighting in the dunk tank, she threw herself into her role and made the best of it.

In Growing Up Brady, Barry Williams quotes Producer Lloyd Schwartz on the difference between Davis and Reed: “She’d say, ‘A lot of people worked very hard on this, and maybe it isn’t great, but if that’s the case, they really need me to make it work.’ Opposite attitudes.”

In fact, Davis saw Alice’s wacky predicaments as opportunities for her to shine comedically.

And while she didn’t take herself too seriously, she cared enough about her role to create a mental backstory for her character that explains Alice’s single-minded devotion to the Brady family.

In the post-Brady years, the show wasn’t a millstone around Davis’ neck as it was for so many of her co-stars. Shortly after it ended, she became a born-again Christian and curtailed her show business career.

“It’s amazing, but at the age of 47 my life suddenly got to the good part,” she told Australia’s Courier-Mail in 1989. “I thought I had had the good part, but it’s as if the Lord had said, ‘Let’s give this kid everything the world has to offer, then make her a better offer and see what happens.’ Am I happy? Oh, boy!”

She spent many years living in an Episcopalian religious community, first in Denver and then in Ambridge. Pa. She worked with a mission helping homeless people and traveled the country talking to church groups. Eventually, she settled in San Antonio, Texas, with retired Episcopal bishop William Frey and his family.

A born trouper, she never completely gave up acting; she did a great deal of regional theater and showed up for almost every Brady reunion. (One critic, panning A Very Brady Christmas, called Alice “the only real-looking character in the whole fairy story.”)

She also compiled a Brady Bunch cookbook in 1994, while admitting that cooking and child care were not really part of her skill set.

She looked back on her Brady experience with fondness.

“Wouldn’t we all love to have belonged to a perfect family, with brothers and sisters to lean on and where every problem is solved in 23 minutes?” she said.

(And it’s not as though she were incapable of looking back on past work with a critical eye. Speaking of the Cummings show, she once told The Times of London: “Comedy like that gets dated pretty fast, especially since it’s anti-feminist.”)

Lovable

In the early 1990s, when Brady nostalgia was at its height, many experts advanced theories about the show’s appeal to Generation X. My college sociology textbook even explored the subject.

To me, the answer has always been simple: Creator Sherwood Schwartz created a world as a child would wish it to be—a world of good-natured siblings, goofy fun, and people who rally around to solve your every problem.

Blogger Hank Stuever summed it up beautifully in The Washington Post this week, but I disagree with his assertion about Alice’s role in this child-centered utopia: “The entire premise of the show seemed to acknowledge, at least in subtext, that Alice was filling the need that Carol Brady could not fill. It’s the great unspoken truth of The Brady Bunch, particularly in retrospect: Ann B. Davis was the better mother.”

From my perspective, Mike and Carol were definitely the parents, but Alice was something even better: A cross between an adult and a friend. She would join in your sack race, bake your cookies, dress up as a pilgrim for your home movie, and clean your room—and she would do it all with a smile.

Everyone has parents, but a child can only dream of having an Alice.

And no one but Ann B. Davis could have brought this dream to life in such an endearing way.

“I think I’m lovable,” she once said. “That’s the gift God gave me.”

Lovable. And irreplaceable.

Some Alice Favorites

I must admit that the Alice-centric episodes of The Brady Bunch don’t rank among my favorites. Playing tough “Sergeant Emma” was probably fun for Davis, but none of the Brady double-role episodes work for me. And “Alice’s September Song,” about Alice’s shady old flame Mark Millard, bored me as a child and saddens me now.

I much prefer Alice as a cheerful supporting presence in a typical episode. Here are two quintessential Alice moments, when she gets involved with the kids and pays the price with her dignity.

Alice could be supportive as well as silly. My favorite Alice moment, by far, is her scene with Jan in “Lost Locket, Found Locket.”

I do like getting to see a different side of Alice now and then, such as when she turns on the charm for a surprisingly lascivious Jackie Coogan.

Other Ann B. Davis Sightings

In the late 1970s, Davis did some commercials that played on her Brady image (although, in the second example, they use the name of her Bob Cummings Show character).

https://www.youtube.com/watch?v=kq0JUMkGqlI

https://www.youtube.com/watch?v=XUWms2111ds

Davis had a few small film roles in the 1960s. You can catch a glimpse of her here in the Rock Hudson-Doris Day film Lover Come Back.

https://www.youtube.com/watch?v=zM9T6ngIALc

Did any single 1960s TV stars NOT appear on The Dating Game? This is cringe-worthy viewing, but Davis is a good sport.

https://www.youtube.com/watch?v=OGQybAHBcHc

You can see more of Ann B. Davis in action during MeTV’s 3-hour tribute marathon this Sunday, June 8, at 12 p.m. EDT.

Family Affair Friday(ish): Season 3, Episode 10, “A Matter of Choice,” 12/9/1968

Written by: John McGreevey. Directed by: Charles Barton.

I apologize for the delay in posting this installment. Because I have a terrible cold today, this post is shorter than most. I promise to have a new Family Affair post ready for you June 6. Also, please visit Thursday, June 5, when I’ll be taking part in the Summer of MeTV Classic TV Blogathon. My entry, called “In Praise of Peter,” will focus on The Brady Bunch. (Update, June 3: With the passing of Ann B. Davis, I have changed the focus of my blogathon entry, which will now be called “Alice: An Appreciation.”)

In the Davis household this week, Bill comes home to find Buffy and Jody in the closet.

Jody is playing cowboys with some of his friends, and he's using schoolmarm Buffy as a shield.

Jody is playing cowboys with some of his friends, and he’s using schoolmarm Buffy as a shield.

Strange behavior, since he’s supposed to be the good guy in this game.

Soon, everyone except the schoolmarm is dead.

Soon, everyone except the schoolmarm is dead.

I love how blase Bill looks amid this carnage. He does ask French where Jody got the toy guns and learns that he traded other items for them.

Meanwhile, Cissy brings home a new friend with the most annoying faux-sophisticated manner ever.

Meanwhile, Cissy brings home a new friend with the most annoying faux-sophisticated manner imaginable.

Her friend’s name is Gwen–a different Gwen than the one usually played by Diane Mountford. This Gwen is bragging about how she put a teacher in her place. When Gwen leaves, Bill observes that she comes on rather strong. Cissy says Gwen is her only friend who really “knows what it’s all about.”

That statement should probably worry Bill, but he is more pre-occupied with Buffy and Jody’s TV-watching habits.

They have apparently abandoned Captain Hippopotamus for  black-and-white war dramas.

They have apparently abandoned Captain Hippopotamus for black-and-white war dramas.

Bill tries to get them to play a game instead of watching TV.

Bill tries to get them to play a game instead of watching TV.

He has checkers or tiddly-winks in mind, but their favorite games have names like Demolition Squad and Sabotage.

Bill talks to French about how they can protect the kids from violence. French's idea is to have them spend more time reading "the enchantments of Hans Christian Andersen and the Brothers Grimm."

Bill talks to French about how they can protect the kids from violence. French’s idea is to have them spend more time reading “the enchantments of Hans Christian Andersen and the Brothers Grimm.”

Hmm, substituting fairy tales for violent entertainment…What could possibly be the flaw in that plan?

That night, Bill notices that Gwen has borrowed Cissy's dress and is going out on a date, while telling her mother she's with Cissy.

That night, Bill notices that Gwen has borrowed Cissy’s dress and is going out on a date, while telling her mother she’s with Cissy.

He suggests to Cissy that Gwen is using her, but Cissy doesn’t want to hear it.

Meanwhile, the twins don't want to hear the bedtime story French is telling them--Hansel and Gretel.

Meanwhile, the twins don’t want to hear the bedtime story French is telling them–Hansel and Gretel.

French, who screeches the witch’s lines dramatically, is taken aback over how violent the story is, although he tries to “etcetera, etcetera” over the worst of it.

Bill only appears long enough to hear the happy ending, so he thinks his plan is successful.

Bill only appears long enough to hear the happy ending, so he thinks his plan is successful.

He misses the kids reaction to the next story.

He misses the kids’ reaction to the next story, about a troll that lures people over the side of a bridge.

Surprisingly, the kids don’t know what a troll is.

It seems like a 1960s child should have some mental image of a troll.

It seems like a 1960s child should have some idea.

French shows them the book illustration.

VTS_01_5.VOB_000252047

They would be so much better off picturing a troll doll.

Bedtime doesn't go well that night.

Bedtime doesn’t go well that night.

Soon, Buffy is seeking refuge in Bill’s room.

She tells him about the horrible dream she had--French was a witch trying to fatten up Buffy and Jody before eating them.

She tells him about the horrible dream she had–French was a witch trying to fatten up Buffy and Jody before eating them.

We actually get to see Jody’s nightmare, which is by far the best part of this episode.

Here's French as the troll.

Here’s French as the troll…

Buffy as his intended victim.

…Buffy as his intended victim…

And Jody screaming a vain warning to his sister.

…and Jody screaming a vain warning to his sister.

Creepy!

Creepy!

Jody ends up in Bill’s room, too.

Jody ends up in Bill's room, too.

Their uncle is chagrined to realize that his fairy tale plan backfired so badly.

Cissy’s evening isn’t any better. She becomes disgusted with Gwen, who stays out much later than Cissy expected.

"Don't come on like Big Mama," Gwen replies--a line that cracks me up.

“Don’t come on like Big Mama,” Gwen replies.

That line cracks me up.

The next morning, Cissy confides in Bill that she has learned her lesson about Gwen's character.

The next morning, Cissy confides in Bill that she has learned her lesson about Gwen’s character.

Bill has learned his lesson, too–banning TV in favor of stories doesn’t work. He will have to take the time to evaluate each entertainment on its merits.

The twins get permission to watch Story Land and are excited to get some TV time again.

The twins get permission to watch Story Land and are excited to get some TV time again.

Their excitement fades when the hostess announces that week's story.

Their excitement fades when the hostess announces that week’s story: Hansel and Gretel.

Oh, snap.

Oh, snap.

Commentary

This episode lends itself to a quick summary because both of its plots are shallow. We don’t even get to learn about the undoubtedly horrible home life that makes Gwen so insufferable. The nightmare sequence is great, though. If only we got to see Buffy’s vision of Mr. French as a witch.

Guest Cast

Gwen: Susan Abbott. Pete: Sundown J. Spencer. Story Lady: Jane Webb. Herbie: Randy Whipple.

Just as Cissy usually has a friend named Gwen, Jody usually has a friend named Pete or Peter. Randy Whipple has played Peter in several previous episodes.

Most of Jane Webb’s credits are for performing cartoon voices, particularly female voices on various Archies animated series.

 

Family Affair Friday(ish): Season 3, Episode 9, “Albertine,” 12/2/1968

Written by: Ernestine Barton. Directed by: Charles Barton. (Any relation? I don’t know; information about Ernestine Barton is scarce.)

We open once again in the twins’ classroom. We’ve been here a lot lately, haven’t we?

While the teacher's back is turned, Jody is fondling a baseball, which his friend Peter wants to see.

While the teacher’s back is turned, Jody is fondling a baseball, which his friend Peter wants to see.

The baseball’s route goes through Albertine, who sits between the boys.

Unfortunately, Albertine drops the ball, which clatters to the floor.

Unfortunately, Albertine drops the ball, which clatters to the floor.

Miss Cummings is ticked.

She's clearly having a bad day.

She’s clearly having a bad day.

Like the good boy he is, Jody confesses that the ball is his. After the crisis passes, Jody sends a friendly smile Albertine’s way, but she ignores him. He and Buffy exchange bemused looks.

This expression has meme potential.

This expression has meme potential.

After school, Jody retrieves his baseball from the teacher and explains its provenance: Willie Mays hit it foul at a Mets-Giants game Jody and Bill were attending, and Bill caught it. (Later, we’ll learn that he also got Mays to autograph it.)

Miss Cummings must be a baseball fan because she decides to go easy on Jody.

Miss Cummings must be a baseball fan because she decides to go easy on Jody.

Before he leaves, she asks him how the new girl–Albertine–is getting along. Jody says he doesn’t play much with girls, other than Buffy, but he’s noticed Albertine sitting by herself a lot.

When the twins arrive at home, they are surprised to see Albertine in the lobby.

When the twins arrive at home, they are surprised to see Albertine in the lobby.

Albertine says she’s waiting for her mother, who’s attending an adults-only party upstairs until 5 o’clock.

Well, that sounds plausible.

She notes that she only has to wait alone because her father is out of town.

 

The next day at school, the twins join Albertine at lunch time.

The next day at school, the twins join Albertine at lunch time.

Buffy is jealous that Albertine is eating “jelly bread.” The twins have to make do with roast beef. (I think the presence or absence of protein is a class indicator. Remember the “bread and sugar” gang?)

They are surprised that Albertine knows how to play chess. Uncle Bill and Mr. French play, but the game is beyond the twins’ intellectual capabilities. (In some episodes, it seems like “pin the tail on the donkey” would be beyond their intellectual capabilities.)

Albertine says her father, a world-champion chess player, taught her the game.

When they find Albertine in the lobby again that afternoon, the twins marvel that her mother attends so many parties.

When they find Albertine in the lobby again that afternoon, the twins marvel that her mother attends so many parties.

They suggest that she come upstairs for a chess match with Mr. French, and Albertine agrees.

"Oooo-eeee!" Albertine exclaims upon seeing the Davis apartment.

“Oooo-eeee!” Albertine exclaims upon seeing the Davis apartment.

Buffy introduces her to Mrs. Beasley, and Jody shows her the bridge model he made.

When he mentions that Bill is overseas a lot, Albertine says her dad is, too...because he flies airplanes...and he was a hero in the war. Yeah, that's the ticket.

When he mentions that Bill is overseas a lot, Albertine says her dad is, too…because he flies airplanes…and he was a hero in the war. Yeah, that’s the ticket.

“Which war?” Jody asks.

“You know, the war,” Albertine replies.

Seeing Jody’s autographed baseball, she also claims that her dad is a big league player.

If you aren’t starting to feel uneasy about Albertine’s father, you haven’t watched much TV.

French and Albertine have their match. He's surprised when she makes a move that exposes her queen. I know nothing about chess, but that sounds bad.

French and Albertine have their match. He’s surprised when she makes a move that exposes her queen.

I know nothing about chess, but that sounds bad.

Bill and bowed one come home in time to see the match's suspenseful conclusion.

Bill and The Bowed One come home in time to see the match’s suspenseful conclusion.

French is stunned when she declares checkmate.

The twins fill Bill in about Albertine’s chess champion father and his many achievements. Albertine clams up, however, when Bill asks his name.

Trying out one of her psychology class words, Cissy speculates that Albertine is suffering from delusions.

Trying out one of her psychology class words, Cissy speculates that Albertine is suffering from delusions.

As Albertine says goodbye to the twins, her tales grow even taller: Her family has a big car and a Japanese chauffeur, and her neighborhood is blocking off the street to celebrate her father’s impending return from out of town. She also says her father loves kids like Bill does–it’s touching that she picked up on that so fast.

The next day after school, Albertine leaves for home before Jody can give her his baseball–he wants her ball-player father to autograph it.

The twins convince French to swing by Albertine’s place on the way home. How they know where she lives, I have no idea.

Once they are in the general vicinity, they ask the first black kid they see how to find Albertine.

Once they are in the general vicinity, they ask the first black kid they see how to find Albertine.

He points out where she lives, but he is amused when the kids start bombarding him with questions about Albertine’s amazing father.

(It seems like French should have twigged to what was going on at this point and found a way to avoid the unpleasantness to come.)

"Albertine don't have no father," he tells them.

“Albertine don’t have no father,” he tells them.

The twins refuse to believe that Albertine’s father abandoned his family a long time ago.

“Man, has old Albertine been laying it on you!” the neighborhood youth chuckles.

Because Buffy doesn't speak jive, French has to translate this into "telling a falsehood."

Because Buffy doesn’t speak jive, French has to translate this into “telling a falsehood.”

When poor Albertine emerges from her building, the boy mocks her cruelly.

When poor Albertine emerges from her building, the boy mocks her cruelly.

He laughs about her "Chinese chauffeur." He also says "ooo-eee" at one point. Must be a favorite neighborhood expression.

He laughs about her “Chinese chauffeur.” He also says “ooo-eee” at one point. Must be a favorite neighborhood expression.

That guy’s a real jerk. He reminds me of almost every kid in my elementary school.

That night at dinner, the kids struggle to understand what happened.

That night at dinner, the kids struggle to understand what happened.

Bill says Albertine wanted a father so badly that she made one up. He also suggests that they avoid mentioning the subject at school and just treat Albertine normally.

Buffy says that if she had to make up a father, she would make up one just like Bill and Mr. French. Aww. I saw the Bill line coming, but it’s sweet that she included French.

TV's first same-sex parents?

TV’s first same-sex parents?

Albertine fails to show up for school the next day, but later the kids see her waiting in the lobby.

Albertine is unresponsive, and Cissy explains that maybe she would rather be alone.

Albertine is unresponsive, and Cissy cautions that maybe she would rather be alone.

“Nobody would rather be alone,” Buffy says.

Jody, much too loudly, adds, “We don’t care if her father ran away.” Ouch.

That night, Buffy and Jody pour out their feelings to Bill.

This is an unusual camera angle.

This is an unusual camera angle.

They wonder whether Albertine couldn’t just adopt Bill, as they did. Bill tries to explain that he can’t do much to help Albertine, but eventually they convince him to try talking to her.

When Albertine sees Buffy and Jody at her door, she recoils in horror.

When Albertine sees Buffy and Jody at her door, she recoils in horror.

I know some Family Affair haters who would react the same way, for different reasons.

Albertine's mother demands to know why Bill is at her door.

Albertine’s mother demands to know why Bill is at her door.

He’s understandably sheepish, admitting that the situation is none of his business, but explaining that Buffy and Jody have been worried about Albertine.

Mrs. Smith is shocked to learn that Albertine has been playing hooky from school for a week. Getting her daughter an education is very important to her.

Mrs. Smith is shocked to learn that Albertine has been playing hooky from school for a week. Getting her daughter an education is very important to her.

(The Smith apartment proves one thing: Family Affair green transcends racial and class lines.)

Mrs. Smith reveals that her husband left the family because he couldn’t handle being unemployed while his wife earned money doing laundry. She also says that it was a doorman at a building where she worked who taught Albertine chess.

(For reasons that aren’t clear to me, she specifies that the doorman was a foreigner. Maybe he was Albertine’s inspiration for the Japanese chauffeur?)

Bill asks to speak to Albertine, and Mrs. Smith agrees.

 

Bill compliments the girl on her "garden," but she says it's just a kitchen--an old, dirty kitchen.

Bill compliments the girl on her “garden,” but she says it’s just a kitchen–an old, dirty kitchen.

Bill says he understands how she feels about not having a father because Buffy and Jody don’t have a father or a mother. He talks about how unprepared he was for raising children when the twins arrived and how helpless he felt hearing them cry at night. All he could do was love them–the same way Albertine’s mother loves her.

Albertine doesn’t say anything, but she seems to think about his words.

The next day, Buffy and Jody come home from school in a good mood. Albertine came back to school and said hi to them.

The next day, Buffy and Jody come home from school in a good mood. Albertine came back to school and said hi to them.

When French wonders if that’s a major development, Bill says it’s a start.

Commentary

This is a nice episode that handles potentially sensitive issues with grace. It’s one of many episodes exploring the diversity of New York City. These “Buffy and Jody meet the poors” episodes have the potential to come across as patronizing, but the show’s heart is clearly in the right place. The fact that Buffy and Jody have lost their parents gives them some kind of kinship with kids in other rough situations.

The show has really progressed in its use of African-American actors since Season One, when it was rare to see one, let alone hear one speak a line.

Continuity Notes

Jody’s bridge is a call-back, and we get another French reference to “the playing fields of Eton.”

Guest Cast

Peter: Mike Durkin. Albertine Smith: Alycia Gardner. Mrs. Smith: Mittie Lawrence. Roy: Theodore Miller. Miss Cummings: Joan Vohs.

No one here had a very long TV career. Mittie Lawrence’s most visible role was in Funny Girl as Barbra Streisand’s personal assistant. She’s most familiar to me, though, from an Adam-12 Christmas episode–the one where the kid wanted a dump truck. Lawrence was the life partner of prolific character actor Robert DoQui, who also made one Family Affair appearance.

 

Spin Again Sunday: The Bionic Woman (1976)

Last week, we explored the game inspired by that 1970s icon, the Six Million Dollar Man. This week, we turn to the fairer electromechanical sex.

bionic woman box

This Week’s Game: The Bionic Woman.

Manufactured by: Parker Brothers.

Copyright Date: 1976.

Recommended Ages: 7 to 12. (Curious that Parker Brothers recommended the Six Million Dollar Man game for ages 7 to 14. Perhaps they figured that girls mature earlier and set aside toys like this at a younger age.)

Box: My copy is a bit faded, but the color scheme is vivid greed and hot pink. We get a pretty close-up illustration of Jaime Sommers, along with her “autograph.” The action scene seems to show her trying to capture a mountain lion with a wispy net. I wonder what that mountain lion ever did to her.

bionic woman board

Game Board: It’s disappointingly generic–trails of white dots and pink lines across some forested terrain. Looking closer, you can see some situations crying out for bionic attention, including a power plant inferno.

There's also this train derailment.

There’s also this train derailment.

Object: “Jaime Sommers, the Bionic Woman, needs your help. She must travel by airplane, helicopter, and automobile to carry out many dangerous adventures. Your job is to help Jaime through these adventures and assist her whenever you can. If you cover a lot of territory and complete the Top Secret Assignment…you may win the game.”

Game Play: I’ll try to make this as simple as possible, which is more than I can say for Parker Brothers.

That's a lot of words.

That’s a lot of words.

All players start at “H.Q.,” and receive an Adventure Card telling them where to go and how many points they will earn.

These cards make you understand how tough Jaime's life must be. She not only does standard superhero stuff like stopping runaway school buses, but must also be on call to repair faulty hospital equipment.

These cards make you understand how tough Jaime’s life must be. She not only does standard superhero stuff like stopping runaway school buses, but must also be on call to repair faulty hospital equipment.

Players head to the space on the board that corresponds to their adventure number. They can either travel by “automobile”–following the white circles; by “helicopter”–sliding up or down the pink lines; or by “airplane,” which requires landing on an Airport space by exact count and then moving to any other Airport space.

When you complete your adventure, you can accept your points or take a double-or-nothing gamble that requires rolling 7 or higher. Then you start a new adventure. When a player rolls double ones or sixes, their mission becomes a Special Assignment, which earns 50 bonus points. After players have completed four Special Assignments, the next double ones or sixes trigger a Top Secret Assignment. That carries 100 bonus points, and its completion ends the game. Since the player with the most points wins, getting the Top Secret Assignment is usually the deciding factor.

Six Million Dollar Shout-Out: Sometimes, instead of an adventure card, players receive a “Steve Austin Assists” card. The idea that Jaime requires this assistance seems a little sexist. And since Steve only lets you double-roll one die, his help isn’t worth much.

Game Pieces: Regular plastic pawns. There are also white plastic clips players attach to their cards–one clip designates a Special Assignment; two clips indicate a Top Secret Assignment.

My Thoughts: I would have been thrilled to receive this game in 1976. I don’t think I would have played it much, though, after scanning those intimidating instructions. If anything, my friends and I might have come up with our own simplified scenario.

Bonus Feature: For a show that only lasted two years, The Bionic Woman inspired many toys. Kenner’s Jaime doll was surprisingly ugly, but it was fun to open her leg panels to see her bionic parts. And, as you can see here, her bionic side and her feminine side co-existed happily.

She had many cool accessories (the dome house!), documented on the fun site Retrojunk.

Other Spin Again Sunday posts you might enjoy:

S.W.A.T.

The Muppet Show

Patty Duke

 

Family Affair Friday: Season 3, Episode 8, “The Unsound of Music,” 11/18/1968

Written by: Edmund Beloin and Henry Garson. Directed by: Charles Barton.

This is the first Family Affair episode whose original air date falls after my birth. I don’t think I was watching much TV my first few days, though.

We open in a nightclub, where a red-haired woman is singing.

Or at least lip-syncing awkwardly to what may or may not be her own voice.

Or at least lip-syncing awkwardly to what may or may not be her own voice.

Hey, it’s that lady who was on Match Game sometimes–presumably when Fannie Flagg wasn’t available.

It seems she's one Bill's squeezes. When she finishes her set and joins him, they reminisce about the times they've shared in London, Paris, Madrid, and Acapulco.

Here, her name is Julie Madden, and it seems she’s one of Bill’s squeezes. When she finishes her set and joins him, they reminisce about the times they’ve shared in London, Paris, Madrid, and Acapulco.

Unlike some of Bill’s girlfriends, she shows an interest in his kids. She wants to know if Jody still likes finger-painting and Buffy still has the “funny-looking doll with the glasses.” (Bill, who has strangely specific ideas of age-appropriateness, says boys give up finger-painting around age 6, and Buffy will probably give up Mrs. Beasley at age 10.) He encourages Julie to come and visit the kids soon.

The next morning at breakfast, Bill gives Cissy an autographed copy of Julie’s latest album.

VTS_01_2.VOB_000527813

Cissy, who has entered her unfortunate side-bow period, observes with a trace of snarkiness that Julie has been making a comeback lately. Bill responds that he didn’t know she ever left.

VTS_01_2.VOB_000531076

Here’s the album, in all its “living stereo” glory.

Buffy is taken with the idea of being a recording artist and asks Bill if he would be proud of her if she was a famous singer. Unwisely, he says yes. (With “I’m always proud of you” he might have saved himself some trouble.)

That day in school, Buffy is so excited about music class that she's singing under her breath before the music teacher even arrives.

That day in school, Buffy is so excited about music class that she’s singing under her breath before the music teacher even arrives.

When the teacher does show up (for what she calls the children’s first music lesson–don’t you think they would have been having music class throughout the school year?), she announces that she’s forming a girls’ glee club.

Buffy can't wait to show off her skills.

Buffy can’t wait to show off her skills.

Unfortunately, when the class starts singing “My Bonnie Lies Over the Ocean,” we find out that Buffy has no skills.

Miss Cummings' face says it all.

Miss Cummings’ face says it all.

In fact, she finds Buffy’s singing so offensive that she asks Buffy to step out into the hall with her for a moment. That’s never good.

Miss Cummings explains that Buffy’s singing is off-key, and that when one person sings off-key, the “harmony of the composition is destroyed.” She suggests that Buffy just move her lips while everyone else is singing.

Harsh.

Harsh.

A miserable Buffy gets through music class and, surprisingly, still tries out for the girls’ glee club after school. She’s unsuccessful, of course.

She's unsuccessful of course.

She asks French if he thinks Julie Madden used to “mix everyone up” with her singing when she first got started.

French says it’s possible; no one achieves instant perfection.

Tucking Buffy in that night, Bill notices how sad she is.

Tucking Buffy in that night, Bill notices how sad she is.

When he asks her to smile, this is the best she can do.

When he asks her to smile, this is the best she can do.

When she asks Bill if he still likes her, even though she didn’t make the glee club, he has a cute response: “Yeah. I even sort of love you.”

He tries to get her to shake off her defeat, but when she can’t, he promises to try to get her into the glee club. (That’s his second mistake in this episode.)

He arranges for Julie to teach her, but Buffy doesn't improve with teaching.

He arranges for Julie to teach her, but Buffy doesn’t improve with teaching.

We'll let French's face sum things up this time.

We’ll let French’s face sum things up this time.

It’s amusing to watch Anissa Jones try to sing as badly as possible.

When Bill comes home, Julie tell him that Buffy is a hopeless case.

When Bill comes home, Julie tells him that Buffy is a hopeless case.

It’s up to Bill to break the news to Buffy.

After he explains that everyone has different talents, and that lots of people can't sing, Buffy seems to accept her limitations.

After he explains that everyone has different talents, and that lots of people can’t sing, Buffy seems to accept her limitations.

Well, that wrapped up quickly. What do we do with the 12 minutes we have left?

Actually, Buffy is still a bit upset, as we see at school the next day when she mopes on the playground.

Jody, in supportive brother mode, tries to comfort her.

Jody, in supportive brother mode, tries to comfort her.

He tells her that he can sing, and since she’s his twin, she should be able to sing, too.

When he demonstrates his singing, it attracts the music teacher's attention.

When he demonstrates his singing, it attracts the music teacher’s attention. She seems strangely excited about singing that is passable at best.

She wants Jody to sing a solo at Parents’ Night. This not only adds salt to Buffy’s wounds but upsets Jody, as well. He doesn’t want to be a “sissy” and sing with the glee club girls.

With Buffy willing but unable to sing and Jody able but unwilling, Bill finds himself at a loss.

With Buffy willing but unable to sing and Jody able but unwilling, Bill finds himself at a loss.

He asks French what “the child-raising books” say about such a situation. (It amuses me that French is the keeper of “the child-raising books.”)

Bill tells Jody he doesn’t have to sing, but Bill would be proud of him if he did. As needy as these kids always are for approval, it’s no surprise that Jody gives in. He doesn’t really seem to mind much, since he’s grinning by the end of the scene.

At least I think this is a grin.

At least I think this is a grin.

Buffy is feeling better, too. The music teacher has given her a role in the Parents’ Night concert–as page-turner at the piano.

The night of the show, after the be-sashed glee club performs, Buffy introduces Jody for his solo.

The night of the show, after the be-sashed glee club performs, Buffy introduces Jody for his solo.

He screeches out a tune called "Every Little Boy Can Be President."

He screeches out a tune called “Every Little Boy Can Be President.”

If you asked a little kid to come up with a song about U.S. presidents on the spur of the moment, it might resemble this annoying ditty. George Washington…Thomas Jefferson….Abe-Abe-Abraham Lincoln…cherry tree…log cabin. It ends with several shrill repeats of the question “Why not me?” I was asking “Why me?” by the end.

(It would be fun to think that seven-year-old Barack Obama saw this episode when it originally aired. Unfortunately, he was living in Indonesia at the time.)

The Davis family enjoys the performance though. (I like the way Brian Keith looks proud but slightly bemused, as well.)

I like the way Brian Keith looks proud but slightly bemused by Jody’s performance.

The episode ends with Buffy asking whether anyone ever made the cover of a record album by turning music pages.

Commentary

This episode feels choppy, with everyone’s problems resolving more quickly and easily than they should. I suppose it was just an excuse for Johnny Whitaker to sing that dreadful song, which was released as a single.

Continuity Note

Bill mentions Buffy’s ballet performance as Little Red Riding Hood.

Inconsistency Alert

We’ve heard Buffy sing before. It wasn’t great, but it wasn’t nearly as bad as her efforts in this episode.

Guest Cast

Julie Madden: Kaye Stevens. Miss Scranton: Irene Hervey. Miss Cummings: Joan Vohs.

When I was a kid, I would see people like Kaye Stevens on game shows and wonder what they were famous for. Well, according to her 2011 obituary, Kaye Stevens “performed a solo cabaret act at some of the most celebrated clubs and showrooms in the nation, including Caesar’s Palace in Las Vegas and the Plaza Hotel’s Persian Room in New York City.” She often performed with the Rat Pack, and she helped Bob Hope entertain the troops in Vietnam. She also had a five-year stint on Days of Our Lives in the 1970s. Later in life, she was active in Christian ministries.

Irene Hervey in her heyday.

Irene Hervey in her heyday.

Irene Hervey was the mother of another nightclub singer, Jack Jones. Hervey appeared in feature films such as Destry Rides Again in the 1930s, then transitioned into B movies and television. She had a recurring role as Aunt Meg on Honey West. A year after this episode aired, she received an Emmy nomination for a guest appearance on My Three Sons.

Bonus Feature

I’m really sorry that Johnny Whitaker’s song from this episode isn’t on Youtube. If you really want to hear him sing, though, there’s always this.

http://www.youtube.com/watch?v=PO5mA9IfxY0

Spin Again Sunday: The Six Million Dollar Man (1975)

6 million man box

Today’s Game: The Six Million Dollar Man.

Copyright Date: 1975.

Manufactured by: Parker Brothers.

Recommended Ages: 7 to 14.

6 million man box closeup

Game Box: In shades of blue, we see Steve Austin’s face, with circles radiating out from his zoom-lens left eye. The bold red game name makes a nice contrast with the background blue. Four inset drawings show Steve rescuing a stranded astronaut, preventing a nuclear background attempt, knocking out an international crime ring, and locating an underwater missile network. All in a day’s work when you’re part cyborg.

6 million man board

Game Board: The same four assignment drawings are featured here, along with some bright 1970s green and orange graphics. I like the “futuristic” font on the Power squares.

Computer spinner

Computer spinner

Game Pieces: I love the “computer spinner.” The pawns show Steve running (in slow motion, no doubt).

6 million man pawns

Nice track suit, Steve.

Object: “Each player controls a bionic man–but only one is the real Six Million Dollar Man. The first player to complete his 4 assignments wins the game, proving that he’s the Six Million Dollar Man.

Game Play: It’s basically a race through the four assignments on the board, with a few elements added to make it more interesting. Players get and lose Power cards throughout the game. Without at least one of these cards in their possession, players lose a turn. At the end of each assignment, you have to roll a certain number, or higher, to move forward. Each failure to move forward costs a player a Power card.

Random Oddity: At the bottom of the instructions are these words: “We will be glad to answer inquiries concerning these rules.” A mailing address in Salem, Massachusetts, is listed. In a game with a high-tech theme, it’s funny to see this reminder of how far we’ve come since the 1970s. Can you imagine using snail mail to ask a question about a game and having to wait days or weeks for a response?

My Thoughts: If you were going to a boy’s birthday party in the mid-1970s, this would have been an ideal gift. Personally, I was more of a Bionic Woman fan. I’ll review that show’s game next week.

Other Spin Again Sunday posts you might enjoy:

Charlie’s Angels

Dragnet

The Waltons

Family Affair Friday: Season 3, Episode 7, “Christmas Came a Little Early,” 11/11/1968

Written by: Elroy Schwartz. Directed by: Charles Barton.

On Easter weekend, it’s fitting that we have a holiday episode this week, even if that holiday is Christmas. As the title and air date indicate, however, this isn’t exactly a Christmas episode.

We open this episode in the classroom, where the twins are studying geography.

We begin in the classroom, where the twins are studying geography.

Buffy knows that Central America lies between Mexico and South America. (The twins’ IQ fluctuates wildly from episode to episode; she’s having a relatively smart week.)

Buffy can’t name the countries of Central America, though. Only one of Miss Cummings’ students can.

The disembodied voice of Jan Brady!

It’s the disembodied voice of Jan Brady!

Actually, the student is Eve, a sickly child who’s sort of teleconferencing in from home. I wonder if any real schools actually offered this service. When I was growing up, kids who couldn’t come to school got “home-bound instruction” from a tutor.

Later, Miss Cummings asks Buffy to stop by Eve's apartment after school to drop off a new textbook.

Later, Miss Cummings asks Buffy to stop by Eve’s apartment after school to drop off a new textbook.

None of the kids have ever seen Eve, and Buffy is a bit reluctant to make her acquaintance.

“It’s hard to like someone who knows all the answers,” she observes.

When she actually meets Eve, though, she hits it off with her immediately.

Eve's sick room has the same creepy clown artwork as the hospital children's ward we saw when Buffy had her tonsillectomy. Don't sick children have enough to worry about?!

Eve’s sick room has the same creepy clown artwork as the hospital children’s ward we saw when Buffy had her tonsillectomy. Don’t sick children have enough to worry about?!

Eve asks Buffy if she can stay for a while. Buffy says she can if she calls Mr. French to let him know. That leads to an amusing exchange:

Eve: Who’s he?

Buffy: Well, he’s not exactly our butler…and he’s not exactly our nanny… and he’s not exactly a relative.

 Eve: Oh.

Buffy: “Oh” what?

Eve: I don’t know who he is.

Buffy: Oh.

Eve: “Oh” what?

Buffy: I still have to call him, whoever he is.

The girls have fun playing word games, a favorite pastime for Eve. Though she looks fairly robust, she's apparently too weak to get out of bed.

The girls have fun playing word games, a favorite pastime for Eve. Though she looks fairly robust, she’s apparently too weak to get out of bed.

(Another creepy clown on the dresser–yikes!)

Eve says doctors haven’t been able to help her, but Buffy assures her that Uncle Bill can fix anything. Oh, dear.

That night at dinner, she tells Bill about Eve and re-states her confidence in his ability to fix the situation.

That night at dinner, she tells Bill about Eve and re-states her confidence in his ability to fix the situation.

That earns a big sigh from Bill, who tries unsuccessfully to explain that some problems are beyond his capabilities.

Some time later, Bill goes to the Bowers’ home to pick up Buffy and Jody, who have been playing with Eve.

It's an awkward moment when Mrs. Bowers describes how Buffy has been promising Eve that he could help.

It’s an awkward moment when Mrs. Bowers describes how Buffy has been promising Eve that he could help.

After meeting Eve, Bill goes above and beyond the call of duty by arranging for an eminent physician he knows to examine her. He even tells the doctor to bill him, while explaining to the Bowers family that a research foundation will pick up the cost.

Random fashion note: Nice tam, Buffy.

Random fashion note: Nice tam, Buffy.

Mr. and Mrs Bowers tell Bill that his efforts have given them renewed hope.

Mr. and Mrs Bowers tell Bill that his efforts have given them renewed hope.

“To have a little hope again is a wonderful thing,” Mr. Bowers says. Unfortunately, that hope doesn’t last long.

Dr. Flanders and a nurse bring Eve home.

Dr. Flanders returns with Eve. (Her blanket looks like Buffy’s tam outfit.)

Wait, Eve has been at the hospital having medical tests while her parents chat with Bill? And a doctor and a nurse brought her home? That’s odd.

As the nurse takes Eve to her room, a grim-faced Dr. Flanders delivers the bad news. “I wish you could tell you what you want to hear,” he says.

When Mr. Bowers asks, “How long?” the doctor has no real answer.

Eve’s decline from her unspecified illness is a rapid one, however.

One night, Mrs. Bowers drops by the Davis apartment to tell Bill that Buffy should probably stop visiting Eve.

One night, Mrs. Bowers drops by the Davis apartment to tell Bill that Buffy should probably stop visiting Eve.

Her daughter has grown “noticeably weaker,” Mrs. Bowers says, implying that the end is near. She thinks stopping the visits will make the situation less traumatic for Buffy.

Bill is moved that Mrs. Bowers is thinking about Buffy's feelings.

Bill is moved that Mrs. Bowers is thinking about Buffy’s feelings.

He tries to explain to Buffy that Eve may be too tired to play anymore.

Buffy argues that Eve needs a good friend now more than ever.

Buffy argues that Eve needs a good friend now more than ever.

“She would still come and visit me,” Buffy says.

Bill agrees that the friendship can continue.

One afternoon, when the kids return home from school, Bill makes a surprise announcement: They are going Christmas shopping.

One afternoon, when the kids return home from school, Bill makes a surprise announcement: They are going Christmas shopping.

The kids are, indeed, surprised, since it’s not particularly close to Christmas. Bill says an upcoming work project might take him to South America, and he won’t make it home in time for Christmas. He wants to celebrate early. He tells Buffy that they should include Eve in the party, and since Eve can’t leave her apartment, they will have the party there.

Cissy’s expression shows that she understands what’s really going on, but the twins seem to buy Bill’s story.

Soon the whole family is trimming a tree at the Bowers apartment.

Eve says it's the most beautiful tree she's ever seen.

Eve says it’s the most beautiful tree she’s ever seen.

She's seen some pretty ugly trees, I guess.

She’s seen some pretty ugly trees, I guess.

Jody thinks the tree look terrible–because it has no presents under it.

That's the cue for this strangely familiar Santa Claus to arrive.

That’s the cue for this strangely familiar Santa Claus to arrive.

He gives Eve a doll that delights her.

He gives Eve a doll that delights her.

The adults look on sadly, but the children seem oblivious.

The adults look on sadly, but the children seem oblivious.

When the Davises get home, and the kids are in bed, Bill helps French de-Santa-fy himself.

They express relief that Buffy and Jody were too young to understand the real reason for the early celebration.

They express relief that Buffy and Jody are too young to understand the real reason for the early celebration.

But when Bill goes out into the hallway, he hears sobs coming from the girls’ room.

The episode ends with Bill embracing Buffy, who obviously knew the truth all along.

The episode ends with Bill embracing Buffy, who obviously knew the truth all along.

Commentary

This episode is difficult for me to evaluate. The story idea is rather maudlin, and it is handled in a superficial way that doesn’t generate much real emotion in the viewer. On the other hand, it is so very Family Affair. Can you imagine any other sitcom from the same era telling this story? Especially in a (sort of) Christmas episode?!

I like the fact that the dialog is subtle; the episode conveys Eve’s fate through knowing glances and awkward pauses.

I can’t help wondering how Brian Keith, who had lost a young son, felt about this episode’s subject.

Guest Cast

Eve Bowers: Eve Plumb. Miss Cummings: Joan Vohs. Mrs. Bowers: Ann McCrea. Dr. Flanders: Ivan Bonar. Mr. Bowers: Paul Sorensen.

Eve Plumb, of course, would go on to play Jan Brady in The Brady Bunch, which debuted about 10 months after this episode aired. (“Christmas Came a Little Early” has another Brady connection–writer Elroy Schwartz was the brother of Brady Bunch creator Sherwood Schwartz. This is the third of six Family Affair episodes Elroy Schwartz wrote.)

All the other guest actors are Family Affair “repeat offenders,” except Paul Sorensen. Late in his career, he had a recurring role in Dallas as Andy Bradley.