Family Affair Friday(ish): Season 2, Episode 25, “The New Cissy,” 3/5/1968

Written by: John McGreevey. Directed by: Charles Barton.

Buffy and Jody, rushing into the apartment after school, find a surprise–Uncle Bill, who’s taken the afternoon off.

Jody tells his uncle that he’s purchased a Venus flytrap seed from a classmate.

Uncle Bill's reaction to this news is priceless.

Uncle Bill’s reaction to this news is priceless.

Buffy explains that she contributed to the purchase, although she prefers plants that just sit around looking pretty, rather than chowing down on things.

As this conversation is winding down, a gloomy-looking Cissy enters the apartment.

As this conversation winds down, a gloomy-looking Cissy enters the apartment.

She perks up when the phone rings, but it turns out to be a call for Buffy. A classmate named Leonard has been calling Buffy and breathing into the phone instead of talking.

Heavy-breathing phone calls in second grade? Leonard has a creepy future ahead of him, I think.

Heavy-breathing phone calls in second grade? Leonard has a creepy future ahead of him, I think.

When Uncle Bill asks Cissy what’s bothering her, she makes the surprising claim that nobody likes her.

Bill pooh-poohs her concerns, but Cissy insists that boys don't notice her.

Bill pooh-poohs her concerns, but Cissy insists that boys don’t notice her.

Her best friends Trish and Laura have better luck, she says. Trish has three older brothers and can talk about sports knowledgeably. And Laura’s secret? She’s pretty, Cissy says. (I bet Trish would really enjoy hearing this conversation. I also wonder why Sharon doesn’t rate as one of Cissy’s BFFs.)

The only boy who notices Cissy is Wendell, a boy nobody notices.

Bill suggests that Cissy invite a few classmates over for a get-together soon, so she can get to know some boys in a relaxed environment.

Cissy is anything but relaxed on the day of her party, though.

Cissy is anything but relaxed on the day of her party, though.

(Those paper cups are cute, although I’m surprised French would put out paper cups.)

As it turns out, Wendell is her only guest. They have an awkward conversation about books. Wendell carries books around with him to read on the way to school, between classes--and at boring parties.

As it turns out, Wendell is her only guest. They have an awkward conversation about books. Wendell carries books around with him to read on the way to school, between classes–and at boring parties.

Cissy may not care for Wendell, but his reading habits have totally won me over.

When Cissy wonders aloud where the other boys are, Wendell suggests that they may have come down with same virus that “Trish and Gail” have.

(The actress who plays Laura on this episode has previously appeared as a character named Gail.)

When Bill returns later, he find the phone off the hook, with Leonard breathing into it.

When Bill returns later, he find the phone off the hook, with Leonard breathing into it.

He hangs up on the little pervert, then gets the low-down from French on Cissy’s party. Trish and Laura, it seems, stayed away so Cissy could have the boys to herself–and the boys stayed away when they heard Trish and Laura wouldn’t be there.

Cissy's feeling sorry for herself, and she's not buying Bill's assurances that she's smart, good-looking, and mature.

Cissy’s feeling sorry for herself, and she’s not buying Bill’s assurances that she’s smart, good-looking, and mature.

He decides that they should call in experts to help solve Cissy’s problem.

Thus we have the obligatory teenage-girl-with-a-book-on-her-head scene.

Thus we have the obligatory teenage-girl-with-a-book-on-her-head scene.

This modeling expert advises Cissy to refrain from smiling 99 percent of the time–this will make her rare smiles “an event.” Yes, everyone knows that a sullen look is a guy-magnet. (While I think her advice sucks, I do like the modeling expert’s outfit.)

The other experts behind Exteme Makeover: Cissy Edition include:

A hairstylist who tells Cissy to change her style as often as her moods shift.

A hairdresser who tells Cissy to change her style as often as her moods shift.

A drama coach who supplies Cissy with affected French quips and insincere compliments to tongue-tied boys about their "strong, silent" ways.

A drama coach who supplies Cissy with affected quips and insincere compliments to tongue-tied boys about their “strong, silent” ways.

And a psychology who advises Cissy to avoid associating with attractive girls--even if they happen to be her friends!

And a psychologist who advises Cissy to avoid associating with attractive girls–even if they happen to be her friends!

Wow, Bill knows some weird women. No wonder he’s chosen to stay single.

His final helper is a fashion expert, as you can tell from her hat.

His final helper is a fashion expert, as you can tell from her hat.

She rejects a drab outfit that only an uncle could love on Cissy.

Unfortunately, she also rejects this outfit.

Unfortunately, she also rejects this outfit.

Somehow, Cissy ends buying the type of dress she always wears.

In fact, I think she's worn this before, although I'm too lazy to go back and check,

In fact, I think she’s worn this before, although I’m too lazy to go back and check.

When Cissy debuts her new look for school the next day, she makes a big impression on the twins, who think she looks like a princess.

Personally, I find her "sultry look" almost as disturbing as Leonard's breathing.

Personally, I find her “sultry look” almost as disturbing as Leonard’s breathing.

The boys at school like it, though.

Soon, they're following her everywhere.

Soon, they’re following her everywhere.

It’s a little hard to understand how, amid late 1960s youth culture, these boys find the middle-aged-business-woman look so captivating.

Wendell isn't captivated, of course--he's all "I don't even know you anymore!"

Wendell isn’t captivated, of course–he’s all “I don’t even know you anymore!”

Wendell’s reaction bothers Cissy, which is also hard to understand, since she never seemed to like him in the first place. She also grows weary of keeping up the sophisticated repartee.

Back at home, Jody gets a shock when he realizes he’s been scammed–his Venus flytrap is really an onion.

The next day, Cissy goes back to her old look.

The next day, Cissy goes back to her old look.

She’s tired of trying to keep up the Venus flytrap front when she’s really an onion, she explains. Bill denies that she’s an onion, but he’s relieved that she’s back to normal.

Buffy’s relieved when Bill assures she won’t have to go through the expert makeover process when she’s older.

As she notes, she's already got enough trouble with Leonard--he's progressed from breathing to hiccups.

As she notes, she’s already got enough trouble with Leonard–he’s progressed from breathing to hiccups.

Commentary

What a weird episode. Maybe it would have worked better early in the first season, when Cissy could have felt insecure about fitting in with city kids. By this point in the second season, we’ve seen her have as much success with boys as any 16-year-old really needs to have. If this episode had aired earlier, it might have also helped to explain Bill’s unfamiliarity with helpful parenting phrases such as “Be yourself” and “Your real friends will like you for who you are.”

One plus for this episode–during the drama coach scene, French gets to play a teenage boy and utter such words as “groovy.”

Guest Cast

Wendell: Charles Herbert. Model: Lynn Borden. Drama Teacher: Jenifer Lea. Hairdresser: Danielle Aubry. Psychologist: Jackie Russell. Dress Stylist: Maurine Dawson. Laura: Diane Mountford. Trish: Susan Abbott. Rick: Oaky Miller. Eddie: Patrick Thomas. Jeff: Scutter McKay.

I love the opening sentence of Herbert’s IMDb bio: “Charles Herbert was a mildly popular 1950s child actor with a trademark sulky puss and thick, furrowed eyebrows, who was known for his inquisitive kid besieged by alien beings, including a robot, human fly and several house-haunting ghosts.”

He appeared in such movies as Houseboat, The Fly, 13 Ghosts, and Please Don’t Eat the Daisies.

Aubry, Borden, Lea, and Mountford are all Family Affair veterans. As noted, Mountford had appeared twice as Gail, so it’s strange that her name is Laura here. Even more strangely, she will appear as Sharon in an upcoming season-two episode and will later appear as a character named Anita.

Oaky Miller now goes by the name Chuck Harris and works as a personal manager.

Family Affair Friday(ish): Season Two, Episode 24, “His and Hers,” 2/26/1968

I apologize for my lateness with this installment. October has been a crazy month in my off-line life. I hope to get back on track this week.

Written by: Joseph Hoffman. Directed by: Charles Barton.

When Uncle Bill returns home from work, the twins invite him to a party at their school.

The party is actually an open house, and the twins are excited that their work will be on display.

The party is actually an open house, and the twins are excited that their work will be on display.

A drawing by Buffy and an arithmetic paper by Jody will have featured spots in the exhibition. The twins invite French, too, and both men decide to forgo the opening of a Van Gogh exhibit to attend the school event. (French says he places more value on an “original Buffy” than on a Van Gogh–awww.)

At school, Buffy explains that her picture shows people waiting for a "moon plane" to take off.

At school, Buffy explains that her picture shows people waiting for a “moon plane” to take off.

“Someday, flying to the moon will be as easy flying to Chicago,” Bill observes. He’s humoring her, but as a child, I really did expect that we’d be vacationing on the moon by now.

On the way to see Jody’s math paper, the Davis family runs into two of the twin’s friends.

They're another set of twins, apparently.

Jill and Timmy are another set of twins, apparently.

Their mother takes one look at Uncle Bill and suggests he join her for coffee.

Film noir actress Coleen Gray plays the mother, Margaret Williams. If I didn't know it was her, though, I never would have recognized her.

Film noir actress Coleen Gray plays the mother, Margaret Williams. If I didn’t know it was her, though, I wouldn’t have recognized her in “PTA mom” mode.

Bill and Margaret discover they’ve been living parallel lives–she has a 16-year-old daughter as well as the twins, and she’s raising her children as a single parent after losing her husband.

Margaret seems a little desperate to end her single parent status.

With apologies to Young MC, I get the feeling that Margaret’s on a mission and she’s wishin’ Bill would cure her lonely condition. Within moments of their meeting, she’s making remarks like, “Six children between us–how scary!” Down, girl.

Later, Buffy and Jody are delighted to hear that Bill and Margaret are going out to dinner together.

Like Margaret, they're already thinking about marriage and how great it would be to have Jill and Timmy as siblings.

Like Margaret, they’re already thinking about marriage. They love the idea of having Jill and Timmy as siblings.

The next morning, they grill Bill about how the date went.

"Did you hug and kiss like they do on TV?" Jody asks.

“Did you hug and kiss like they do on TV?” Jody asks.

Cissy explains that the twins are rooting for Bill to marry Margaret. Buffy asks if Jill can sleep over Saturday night, and Bill says it might be nice for all the Williams children to spend the weekend since he and Margaret are going sailing Sunday. (I don’t quite follow his thinking here.)

The mention of marriage provokes the first of several funny French faces in this episode.

The prospect of three young houseguests provokes the first of several funny French faces in this episode.

When the Williams children arrive, things get off to a great start.

Cissy is quickly sharing gossip and clothes with her counterpart, Vicky.

Cissy is quickly sharing gossip and clothes with her counterpart, Vicky.

(A quick digression: Have you ever noticed on shows like this that when teens refer to friends at school, the friends always have unlikely, antiquated names such as “Edna” and “Felix”?)

Jody, excited to have another boy around the house, shows off is Willie-Mays-signed baseball lets Timmy use his catcher's mitt.

Jody, excited to have another boy around the house, shows off his Willie-Mays-signed baseball and lets Timmy use his catcher’s mitt.

Buffy introduces Jill to Mrs. Beasley and assures Jill that the doll likes her.

The first sign of trouble appears on the horizon that evening, as Cissy and Vicky prepare for a double date. Cissy has asked her beau to provide an escort for Vicky.

When the boys arrive, Cissy is still getting ready, so Vicky heads out to the living room to meet them.

When the boys arrive, Cissy is still getting ready, so Vicky heads out to the living room to meet them.

Uh-oh.

Sure enough, Cissy's date takes an instant liking to Vicky.

Sure enough, Cissy’s date takes an instant liking to Vicky.

VTS_01_8.VOB_000141743

Cissy is not especially pleased.

The next day, Timmy bullies Jody into violating house rules by playing catch in the living room.

Who didn't see this coming?

Who didn’t see this coming? (By the way, this vase is a “priceless royal Sevres,” according to French.)

Timmy, who threw the ball, blames the whole incident on Jody. The boys’ ensuing argument turns physical after Timmy shoves Jody. (Their fight is actually more a weird writhing session, with no blows thrown.)

The only way Jill could tick Buffy off this badly is by messing with Mrs. Beasley. But surely should wouldn’t…

Yeah, she goes there.

Oh, yeah. She goes there.

First she tries to change Mrs. Beasley’s clothes, although Buffy says Mrs. Beasley only feels comfortable undressing around her owner. (This is a cute comment, even though it’s not really possible to “undress” Mrs. Beasley.)

Jill responds by asserting that Mrs. Beasley has started talking to her–and expressing a preference for her over Buffy!

Needless to say, the whole family is thrilled to see the Williams kids go.

Needless to say, the whole family is thrilled to see the Williams brats go.

But when the twins ask Cissy how they can discourage Bill from marrying Margaret, she gives them her usual suck-up-your-own-feelings-and-concentrate-on-Uncle-Bill’s-happiness spiel.

Bill doesn't seem especially happy, though. Margaret is telling him how she tries to be a pal to her kids, but they really need a father.

Bill doesn’t seem happy, though. Margaret is telling him how she tries to be a pal to her kids, but they really need a father.

Bill ignores her blatant marriage hint and responds to the parenting fail implicit in her remarks.

“I’m not a pal to my kids…I’m older than them and smarter than them and more responsible than them, so I decide what’s best for them,” he says.

He also makes it clear that he will only marry when he falls in love.

His expression in this scene must make it clear, even to Margaret, that she won't be the lucky lady.

His expression in this scene must make it clear, even to Margaret, that she won’t be the lucky lady.

At home, Bill tells French that marriage is off the table. He’s nervous about how the kids will take the news, though.

They manage to bear up under the strain.

They manage to bear up under the strain.

French, too, is relieved about the bullet they’ve dodged.

"That mass of tiny creatures," he says with a shudder.

“That mass of tiny creatures,” he says with a shudder.

Commentary

Pre-dating The Brady Bunch by more than a year, this episode anticipates the comic situations that could result from a large, blended family (though Family Affair puts a darker and more realistic spin on the conflicts that might arise). Buffy and Jody’s “How do people get married?” inquiries are cute, and I love French’s dismay at the prospect of his kid load doubling.

Guest Cast

Margaret Williams: Coleen Gray. Vicky: Kay Cole. Timmy: Tony Fraser. Jill: Martine Fraser. Allan: Mickey Sholdar. Norman: George Winters.

Red River, Nightmare Alley, and The Killing are among Coleen Gray’s most memorable films. She kept busy with TV appearances from the 1950s through the 1970s.

Tony Fraser would appear twice more on Family Affair. Martine Fraser is surely his sister; they both had very short TV careers.

Kay Cole played Maggie in the original Broadway cast of A Chorus Line.

Mickey Sholdar had a regular role in the 1960s TV series The Farmer’s Daughter

Continuity Notes

Uncle Bill mentions his brother.

Family Affair Friday: Season 2, Episode 23, “A Member of the Family,” 2/19/1968

Written by: Henry Garson and Edmund Beloin. Directed by: Charles Barton.

When we look in on the Davis family this week, Jody is getting ready to go roller skating. He’s getting ready a bit prematurely, in fact.

"We do not put on our roller skates until we reach pavement," French advises him.

“We do not put on our roller skates until we reach pavement,” French advises him.

Buffy is going roller skating, too, with plans to teach Mrs. Beasley how to skate. First, however, the kids want to see what Cissy is doing out on the terrace. As it turns out, she’s drawing a picture of Uncle Bill–a “crack-a-ture,” as Jody calls it. The kids to want to know what all the mountains are in the picture. The “mountains,” Cissy informs them, are Uncle Bill’s muscles.

Oh, does he have nicely sculpted arm muscles? I hadn't noticed.

Oh, does he have nicely sculpted arm muscles? I hadn’t noticed.

Cissy informs the kids that she’ll be displaying her work at a high school art exhibit. She’ll be including caricatures of Uncle Bill and the twins–all the members of the family.

French looks hurt, and his mood doesn’t improve when Cissy asks him to provide hors d’oeuvres for the exhibit. Cissy can tell he’s upset, but she doesn’t know why. After French and the kids leave, a perceptive Uncle Bill explains the situation.

VTS_01_6.VOB_000367018

Cissy says she does, in fact, plan to display a caricature of French. She’s been working on it all week in secret so that she can surprise French at the exhibit.

Meanwhile, at the park, Buffy and Jody wonder why French is acting like “an old growly bear.” He feels even worse when he runs into his frenemy Withers.

It seems, according to Hardcastle, that Withers is the envy of all the gentlemen's gentlemen at the moment.

It seems, according to Hardcastle, that Withers is the envy of all the gentlemen’s gentlemen at the moment.

In fact, they are planning a bon voyage party for him. Smithers’ employers are going to Europe and taking him with them. French admits that he hasn’t been on a trip abroad with Bill since the kids took up residence with them.

“Some of us are merely employees, and some of us are members of the family,” Withers says, twisting the knife.

Later, however, Bill gives French a private heads-up that his picture will appear in the exhibit. He even shows it to him.

Understandably, he’s in a much better mood the next day when he runs into Miss Faversham at school pick-up time. He can’t resist telling her about the exhibit and the fact that he’s included. He invites her to opening and asks her spread the word to Withers and Hardcastle.

When the kids emerge from school, they sing a song taunting a "skinny" boy who's been calling their friend Peter "four-eyes."

When the kids emerge from school, they sing a song taunting a “skinny” boy who’s been calling their friend Peter “four-eyes.”

French affects shock and horror, then tells them about crying himself to sleep every night because his childhood friends said, “Here comes Fatty,” whenever he approached.The kids are properly abashed and head off to apologize to Tony.

French gives Miss Faversham a wink and tells her that "overdramatic fiction" gets through to children better than anything else.

French gives Miss Faversham a wink and tells her that “overdramatic fiction” gets through to children better than anything else.

That’s a tip you won’t find in many parenting manuals.

Back at home, the kids pose for their own caricatures. Jody wants muscles like Uncle Bill, but his defining characteristic seems to be "a zillion freckles."

Back at home, the kids pose for their own caricatures. Jody wants muscles like Uncle Bill, but his defining characteristic seems to be “a zillion freckles.”

While she’s waiting, Buffy happens to see the French caricature.

The alarmed twins share the "Here comes Fatty" story with Cissy.

The alarmed twins share the “Here comes Fatty” story with Cissy.

They’re worried that French will find the picture offensive.

"I didn't realize Mr. French is so sensitive," Cissy exclaims.

“I didn’t realize Mr. French is so sensitive,” Cissy exclaims.

She decides that she won’t display French’s picture after all. Oh, dear.

Later, Sharon stops by and asks if Cissy can go with her to The Blue Yonder that evening. Bill’s out of town until just before the exhibit, so Cissy has to seek approval from French. She doesn’t think Bill would mind, even though they’ll be out until midnight and it’s a school night.

Seriously, Cissy?

Seriously, Cissy?

French says no, of course, and Sharon mutters about how strict the “establishment” is in the Davis home.

Soon, the art exhibit is almost under way at last.

Helping Mrs. Scofield with the snacks, French is taken aback when the teacher mentions Cissy's three pictures.

Helping Mrs. Scofield with the snacks, French is taken aback when the teacher mentions Cissy’s THREE pictures.

Cissy’s gone home to change for the opening, but French checks out her display area. Sure enough, his picture is missing. He assumes that saying no to Cissy earlier cost him his place in the exhibit. He gets on the phone to head off his friends, but he’s too late.

Doesn't Miss F look sharp in her street clothes?

Doesn’t Miss F look sharp in her street clothes?

Luckily, Bill has arrived at home and straightened things out. Telling Cissy how much French liked her picture, he encourages her to sneak in the gallery’s back entrance and add it to her display. By the time French’s friends make their way to Cissy’s area, the picture is in place.

"It's a nice family--the whole group," Bill says.

“It’s a nice family–the whole group,” Bill says.

French is delighted, of course.

And, along with his hor d'oeuvres, he gets to taste some sweet, sweet

And, along with his hor d’oeuvres, he gets to taste some sweet, sweet schadenfreude.

It seems Withers’ employers aren’t taking him along to Europe after all.

Which caricature do you like best?

Which caricature do you like best?

Commentary

This is one of the best French episodes–his sadness at being excluded is poignant.

Of course, you have to overlook all the contrivances that drive the plot. For instance, why does Cissy want to surprise French with his picture, when the others posed for theirs?

Guest Cast

Withers: Richard Peel. Mrs. Scofield: Joan Vohs. Peter: Randy Whipple. Sharon: Sherry Alberoni. Miss Faversham: Heather Angel. Mr. Hardcastle: Noel Drayton. All are Family Affair veterans, but we haven’t seen Drayton as Mr. Hardcastle since the second episode of the series. Vohs will appear most often in the third season as the twins’ teacher Miss Cummings.

Random fashion note: I like Cissy's casual, exhibit set-up outfit.

Random fashion note: I like Cissy’s casual, exhibit-set-up outfit.

Continuity Notes

Cissy’s artistic talent is a good call-back–we learned about it in season one.

Fun Facts

Mrs. Beasley doesn’t like sea lions because they splash too much.

French’s childhood friends actually called him “Chubby”–and he liked it.

The Twilight Zone and Alfred Hitchcock Presents: Family Affair Connections, Part 1

Source: IMDb.com

John Williams and Alfred Hitchcock. Source: IMDb.com

What connections can possibly exist between the sugary 1960s sitcom Family Affair and TV’s two creepiest anthology programs? Television actors made the rounds in the 1950s and 1960s, so perhaps its not surprising that both of Family Affair‘s lead actors and many of its recurring guest stars show up in these anthology shows. (It probably helped that both the Hitchcock show and Family Affair made good use of aging British actors.) It’s a treat, though, to see them in roles so different from the ones I spotlight each week in my Family Affair series.

I’d originally planned this post for October 2, the broadcast anniversary for both Alfred Hitchcock Presents (which debuted in 1955) and The Twilight Zone (which aired its first episode four years later). I found so many interesting connections, however, that this post took longer to prepare than I’d anticipated. Its length also required breaking it into two parts.

John Williams

John Williams is the strongest link between Family Affair and the world of Alfred Hitchcock. Williams played Nigel French in nine first-season Family Affair episodes, while Sebastian Cabot recovered from an illness. His most famous career role, however, was Chief Inspector Hubbard in Hitchcock’s film Dial M for Murder. (He originated the role on Broadway and earned a Tony award for his performance.) He also appeared in Hitchcock’s To Catch a Thief.

Williams was obviously a Hitchcock favorite–he would appear in no fewer than 10 episodes of Alfred Hitchcock Presents. The three-part episode “I Killed the Count” from Season 2 finds Williams in his most characteristic role as a stuffy Scotland Yard inspector. His character uncovers no shortage of suspects in a tangled murder case. The fun is in watching his exasperation build as “I killed the count” becomes an “I am Spartacus”-style refrain among people eager to confess.

(One of the suspects is played by Alan Napier, who appeared in a third-season Family Affair episode but is best known as Alfred from TV’s Batman. Nora Marlowe also has a small role in Part 3 of “I Killed the Count.” She appeared in four Family Affair episodes, as various nanny friends of Giles French. Her most memorable TV role was Flossie Brimmer on The Waltons.)

Parts two and three of “I Killed the Count” are also on Youtube and available through Netflix.

In another second-season episode, “Wet Saturday,” criminals get the best of Williams. If you’ve ever longed to see Nigel French get slapped around, this is the episode for you. Also interesting is the happy epilogue that Hitchcock tacked on in his closing comments, to counteract the downbeat on-screen ending.

Kathryn Givney, who plays the murderer's mother in this episode, was Mrs. Allenby in the memorable first-season Family Affair episode "The Thursday Man."

Kathryn Givney, who plays the murderer’s mother in this episode, was Mrs. Allenby in the memorable first-season Family Affair episode “The Thursday Man.”

Williams also made one appearance on The Twilight Zone, in an hour-long episode called “The Bard.” This isn’t a great episode; it strives too hard for hipness as it satirizes TV hackery. Williams’ turn as William Shakespeare is amusing, though. Who else could imbue the words Cat on a Hot Tin Roof with so much contempt merely by enunciating each consonant deliberately? The rest of the cast provides plenty of interest, too. It includes future movie star Burt Reynolds and future Dyna Girl Judy Strangis.

Brian Keith

Brian Keith never appeared on The Twilight Zone, but he did appear on five episodes of Alfred Hitchcock Presents (including one after the show’s 1962 expansion and re-titling as The Alfred Hitchcock Hour). The most interesting for Family Affair fans is probably “Cell 227,” in which Keith portrays a condemned prisoner. The script is a bit preachy and lacks the typical Hitchcock atmosphere, though the ending provides a suitably grim “gotcha.” Keith gives his usual strong performance, and it’s a major departure from Uncle Bill.

Liam Sullivan, who appeared in one Season Three episode of Family Affair, plays a priest here. Frank Nelson, an annoying neighbor in two memorable Family Affair episodes (“Mrs. Beasley, Where Are You?” and “Ballerina Buffy”), has a more sympathetic role as a lawyer fighting to save Keith’s character.

Keith himself plays a crusading lawyer in “The Test.” His courtroom tactics are questionable, but there’s a method to his madness. This one has a thought-provoking, ambiguous ending.

Sebastian Cabot

Sebastian Cabot appears in the first-season Twilight Zone episode “Nice Place to Visit.” As the spiritual guide of a recently deceased thug, he’s Giles-French-like throughout most of the episode. The ending twist, while predictable, shows him in a very different light.

Cabot also appeared in one Alfred Hitchcock Presents episode, Season One’s “A Bullet for Baldwin.” He’s Baldwin, and the episode’s opening events suggest that Cabot’s appearance will be brief. As you might expect on this show, things are more complicated than they seem.

(An extra treat for me in this episode is the presence of John Qualen, who played Earl Williams in my very favorite movie, His Girl Friday. Too bad he never appeared on Family Affair.)

Ida Lupino

Legendary actress and director Ida Lupino appeared as French’s old flame Maudie Marchwood in two Family Affair episodes. She appeared in one Twilight Zone episode, Season One’s “Sixteen-Millimeter Shrine.” The paranormal twist in this one comes too late to add much interest to the story of a fading actress living in the past. Lupino is always interesting, but this script doesn’t do her any favors; it reads like her character is 70, while Lupino was just over 40 when this aired!

(Lupino directed the much better Twilight Zone episode “The Masks.”)

Alice Frost, who appeared in the memorable Family Affair episode “The Candy Striper,” also appears here and gets to do some good screaming.

Paul Hartman

A first-season Family Affair guest star, Hartman appeared on three episodes of Alfred Hitchcock Presents.

You remember him--he sold Buffy and Jody a broken down horse.

You remember him–he sold Buffy and Jody a broken down horse.

On The Twilight Zone, he played a police sergeant in the second-season episode “Back There,” a time-travel yarn involving Abraham Lincoln’s assassination. Nora Marlowe shows up again here. (Also of interest to classic TV fans: This episode stars Russell Johnson, the professor from Gilligan’s Island.)

The full episode doesn’t seem to be on Youtube, but you can watch it through Netflix or Amazon Prime Instant Video.

Louise Latham

Louise Latham launched her screen career in Hitchcock’s Marnie as the title character’s mother.

On Family Affair, of course, she was Aunt Fran--a character who cast a longer shadow than her three appearances would suggest.

On Family Affair, of course, she was Aunt Fran–a character who cast a longer shadow than her three appearances would suggest.

She made one appearance on The Alfred Hitchcock Hour, and it was a good one. “An Unlocked Window” has everything–a spooky house, a violent storm, and a serial killer on the loose. Latham gives a showy performance as a housekeeper who progresses from merely annoying to drunken and deranged. The episode’s ending doesn’t completely surprise, but it does pack a punch. (Bonus for my fellow cat lovers: A nice-looking tabby gets plenty of screen time.)

Another connection involving this episode: Stanley Cortez served as director of photography here, as well as on the first two episodes of Family Affair. A veteran cinematographer, Cortez had worked on such movies as The Magnificent Ambersons and Night of the Hunter.

Heather Angel

Surprisingly, Heather Angel never appeared on the Hitchcock series. She would have been well suited for various British dowager parts, and she did have small parts in two Hitchcock films, Suspicion and Lifeboat.

On Family Affair, Angel played Miss Faversham in a whopping 18 episodes.

On Family Affair, Angel played Miss Faversham in a whopping 18 episodes–many more than any other recurring cast member.

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Leave It to Beaver: A Father’s Journey

Room 222 Call Sheet: A Day in the Life of a 1970s Sitcom

Assorted Ephemera: My Three Sons Coloring Book (1971)

Family Affair Friday(ish): Season 2, Episode 22, “A Matter of Tonsils,” 2/12/1968

I apologize for the delay in posting this installment. I had to go out of town somewhat unexpectedly last week.

Written by: Henry Garson and Edmund Beloin. Directed by: Charles Barton.

It’s breakfast time in the Davis household, but not everyone is eating.

Cissy says she's watching her weight so she can achieve the "Carnaby Street look," like Twiggy.

Cissy says she’s watching her weight so she can achieve the “Carnaby Street look,” like Twiggy.

“Oh for the days of Queen Victoria,” French sighs. How old is French?

Buffy is trying to eat, but every swallow leaves her wincing in pain.

Buffy is trying to eat, but every swallow leaves her wincing in pain. Uh-oh.

Bill, who’s getting ready to leave for Chicago, notices Buffy’s discomfort. He tells French to keep Buffy home from school and take her to see Dr. Felsom.

Buffy is upset about having to miss music appreciation at school. Jody, a boy after my own heart, suggests sending Buffy to school and letting him stay home.

Buffy is upset about having to miss music appreciation at school. Jody, a boy after my own heart, suggests sending Buffy to school and letting him stay home.

Dr. Felsom gives French some bad news–Buffy’s tonsils are enlarged and will have to come out.

I hope Dr. Felsom doesn't treat many asthma patients because those books look pretty musty.

I hope Dr. Felsom doesn’t treat many asthma patients because those books look pretty musty.

He stresses that it’s a minor operation, but French says no operation is minor when you’re dealing with “two bachelors unaccustomed to the care and feeding of children.”

VTS_01_5.VOB_000121852

Uncle Bill reacts with alarm when French calls him in Chicago with the news. (Good thing his hotel room has a soothing Family-Affair-green decor.)

“What a time to be a thousand miles away!” he cries. During this scene, Brian Keith yells his lines into the phone, while French talks normally. Let’s fanwank that they have a bad connection, on Bill’s side only.

Jody, meanwhile, is impressed that Buffy gets to eat as much ice cream as she wants. “I wish I had tonsils,” he says, and tries to take a look at Buffy’s.

I bet the kids had a hard time keeping straight faces during this scene.

I bet the kids had a hard time keeping straight faces during this scene.

Having rushed back from Chicago, Bill tells Dr. Felsom to find the best tonsil man in New York for Buffy’s operation. He wants to reserve a private suite for her, but the doctor convinces him that Buffy will feel more comfortable in the children’s ward.

The adults break the news to Buffy that she’s going to the hospital overnight for an operation. She doesn’t seem concerned, although everyone telling her to stay calm and praising her bravery probably makes her a little nervous.

Jody and Buffy say a sad goodbye, and he offers to let her take his turtle to the hospital. She declines, but she does take Mrs. Beasley.

Poor Jody, all alone.

Poor Jody, all alone.

Bill gets Buffy settled at the hospital and apologizes to the nurse for acting so nervous.

"You wouldn't be a parent if you weren't nervous," she says. Ain't that the truth.

“You wouldn’t be a parent if you weren’t nervous,” she says.

Ain’t that the truth.

Note that while the hospital corridors are Family-Affair-green, the children's ward is Robby-and-Katie's-room-pink. (I've been watching a lot of My Three Sons lately.)

Note that while the hospital corridors are Family-Affair-green, the children’s ward is Robby-and-Katie’s-room-pink. (I’ve been watching a lot of My Three Sons lately.)

Back at home, Jody is also complaining of a sore throat, but Bill and French assume that it’s a psychosomatic complaint brought on by Buffy’s illness.

VTS_01_5.VOB_001099662

Bill decides that Jody needs some attention, too, so he spends some time with him and gives him a piggyback ride.

That night at bedtime, French reads to Jody about Ali Baba, but Jody can’t concentrate. He keeps asking tonsil-related questions until French gives up on reading.

"I'm not a vet!" French snaps after Jody asks whether horses have tonsils.

“I’m not a vet!” French snaps after Jody asks whether horses have tonsils.

The next day, Buffy’s operation goes smoothly, and Bill gets ready to head back to Chicago.

Not so fast, Bill.

Not so fast, Bill.

French shows up at the hospital with Jody, who has been sent home from school because of his sore throat. Dr. Felsom takes a quick peek and pronounces Jody’s tonsils worse than Buffy’s.

Soon Jody's checked in to the hospital right next to Buffy.

Soon Jody’s checked in to the hospital right next to Buffy.

He’s glad to be reunited with his sister and delighted to start on his ice-cream diet. The only thing the kids can’t understand is why Bill and Mr. French are so afraid of hospitals. The next time they have their tonsils out, Jody thinks it would be good idea to keep Bill and French in the dark about it.

Buffy agrees.

Buffy agrees, emphatically.

Commentary

Classic TV led me to believe that one day I would have my tonsils removed. I would get to eat ice cream all day. I would get to stay home from school and bask in adult attention.

It never happened. Thanks a lot, evolving medical standards.

The emotions in this episode ring true, from Jody’s feeling left out, to Bill and French’s panicky concern for Buffy, to the the way the kids sense the adults’ stress. At different points in the script, both French and Bill observe that no surgery is “minor” when it comes to children, and I would certainly agree with that as a parent. I was a mess when my daughter got tubes in her ears, and that didn’t even require an overnight stay.

Sweetness abounds in this episode. It’s touching to see how Jody worries about Buffy and misses her while they are apart. Brian Keith does his usual great job showing fatherly tenderness, especially in the scene just before Buffy’s surgery.

(I wonder if those hospital scenes were hard for Keith, who lost his 8-year-old son to pneumonia less than five years earlier.)

When an episode offers little to snark on, my eyes travel to the decor.

Look at this interesting cat statue in Dr. Felsom's office. I'm guessing his wife takes ceramics because it looks like some of my mother's 1970s output.

Look at this interesting cat statue in Dr. Felsom’s office. I’m guessing his wife takes ceramics because it looks like some of my mother’s 1970s output.

More disturbing is this clown picture in the children's ward. How is it helpful to terrify the children before surgery?

More disturbing is this clown picture in the children’s ward. How is it helpful to terrify the children before surgery?

Guest Cast

Dr. Felson: Oliver McGowan. Miss Jones: Carol Nugent.

Well, this is interesting. Former child actress Carol Nugent was the daughter of Carl Nugent, property master on My Three Sons. (On Family Affair, he served in that role for the pilot only.) Carol was married to Nick Adams, who starred as Johnny Yuma on the 1959-61 TV series The Rebel. Adams died of a drug overdose a week before this Family Affair episode aired. In 2002, Carol married none other than John G. Stephens, Family Affair production supervisor! (Stephens was widowed in 2001 after more than 40 years of marriage to actress Joan Vohs, whom we’ll see in our next episode.) Nugent’s son Jeb Adams had a brief acting career in the 1980s, highlighted by his role as Chris in the movie Flowers in the Attic.

Researching this family can lead you down quite a rabbit hole. Carol Nugent’s nephew, Adam Taylor, was married to Anne Lockhart. She’s the daughter of June Lockhart, a one-time Family Affair guest star. Taylor’s father was Buck Taylor and his grandfather was prolific character actor Dub Taylor; both of these men crossed professional paths with Brian Keith several times.

This is McGowan’s second of three appearances as a doctor on the show.

Continuity Notes

The script mentions Jody’s turtle and Captain Hippopotamus. We also learn that Jody and Buffy are still 6, despite being in second grade now. Time really drags in their world.

Assorted Ephemera: My Three Sons Coloring Book (1971)

This month, I am honoring the premiere anniversaries of many classic TV shows. Check back frequently for TV collectibles, fan magazine articles, special editions of Spin Again Sunday, and more. I will also be posting unique content on Facebook and Instagram.

This month, I am honoring the premiere anniversaries of many classic TV shows. Check back frequently for TV collectibles, fan magazine articles, special editions of Spin Again Sunday, and more. I will also be posting unique content on Facebook and Instagram.

My Three Sons premiered on September 29, 1960, and ran for 12 years. The latter half of the show saw many changes for widower Steve Douglas and his family–the show changed networks, switched from black and white to color, and re-located its setting from the Midwest to Southern California (a change prompted by a real-life change in production facilities).

One son married and departed, a new son joined the family through adoption, grandfather Bub left, and salty Uncle Charley took over as caretaker. In its last few years, the all-male cast got an estrogen infusion: Second son Rob married Katie and moved her into the family home; third son Chip eloped with Polly; and Steve married widow Barbara, who had a young daughter.

my three sons coloring book cover

The coloring book barely mentions Polly, though she was part of the show by 1971. I can’t blame Saalfield. The Chip-Polly marriage was an unfortunate development, mainly because the actors playing the newlyweds looked like 12-year-olds.

It’s not hard to imagine what Executive Producer Don Fedderson was thinking when he introduced Barbara’s daughter, Dodie. Family Affair‘s Buffy and her doll Mrs. Beasley were a merchandising gold mine. Collectibles like this coloring book and Dodie paper dolls–both printed by Saalfield–represented attempts to recapture the Buffy magic. Producers even gave Dodie a companion doll, Myrtle.

Abnormally short girl with unlikely name + strange-looking doll = cha-ching!

Unusually short girl with unlikely name + strange-looking doll = cha-ching!

Dodie merchandising didn’t come close to matching the success of Buffy and Mrs. Beasley, though.

This coloring book features “Dodie’s Favorite Things to Do,” a theme that enabled Saalfield to use random toy and teddy bear pictures for about half the content.

The other pages feature the Douglas family. The illustrator does a pretty good job making Steve look recognizable.

The other pages feature the Douglas family. The illustrator does a decent job with the likenesses, especially Fred MacMurray’s.

Rob and Katie’s triplets are in almost as many pictures as Dodie.

Fun fact: The episode featuring the triplets' birth aired on the day I was born.

Fun fact: The episode featuring the triplets’ birth aired on the day I was born.

The coloring book includes paper dolls of the triplets and Dodie.

It also includes this creepiness--kids are supposed to transform it into a picture of what they want to be when they grow up.

It also includes this creepiness. Kids are supposed to transform it into a picture of what they want to be when they grow up.

One of Dodie's own career aspirations is stewardess.

One of Dodie’s own career aspirations is stewardess.

Uncle Charley gets some ink in the coloring book (although it spells his name wrong).

my three sons coloring book uncle charlie

What a fascinating revelation.

The image below is the only one that comes directly from the show.

I take back what I said about the decent likenesses. I think they borrowed this face from a Planet of the Apes coloring book.

I take back what I said about the decent likenesses. I think they borrowed this face from a Planet of the Apes coloring book.

Embarrassing Treasures Field Trip: The Mid-Atlantic Nostalgia Convention 2013

They had me at Margaret O’Brien.

I don’t remember what made me browse the web site for the Mid-Atlantic Nostalgia Convention earlier this year, but as soon as I saw Margaret O’Brien on the celebrity list, I ordered my tickets.

MANC takes place each fall in Baltimore. For three days, celebrities make themselves available for autograph signings and Q&A sessions; experts hold seminars on old-time radio, classic television, and classic movie topics; vendors sell movie posters, books, and other collectibles; and classic screen performances play in the Movie Room.

I’ve thought about attending before (and I really wish I’d attended in 2009, when Johnny Whitaker and one-time Family Affair guest star Lee Meriwether were guests). The chance to see my favorite child star in person stirred me into seizing the moment. It’s a sad reality that few golden-age stars remain with us, and we lose more every year.

This was the first nostalgia convention I’ve attended, and what follows is a brief, impressionistic review. Unfortunately, it lacks photos—I forgot to pack my camera, and my iPhone images didn’t turn out well.

Educational Sessions

Mornings at MANC are devoted to presentations on vintage entertainment topics. The presenters are people who’ve invested enormous time into learning about their subject. John C. Abbott, for instance, has produced an exhaustive three-volume work called The Who is Johnny Dollar? Matter about radio’s famous insurance investigator. He’s analyzed not only the remaining recorded episodes but those that exist only in script form. He can tell you everything from Johnny’s address to how many times he’s been shot.

Sally Stephens talked about Gracie Allen’s 1940 run for the presidency, a months-long joke that played out on several radio shows and in live appearances. Stephens effectively integrated radio clips into her presentation, which made her topic come alive.

Joanna Wilson gave a great presentation on TV adaptions of A Christmas Carol. I’d been eagerly anticipating this presentation for two reasons:

  • I love TV Christmas specials and episodes.
  • Wilson is a fellow Classic TV Blog Association member, and I hoped to meet her and to purchase her book, ‘Tis the Season TV.

Wilson’s presentation didn’t disappoint–her passion for her subject matter really came through, and the audience responded with similar enthusiasm. I have to admit that I’m not a big fan of straight A Christmas Carol adaptations. (What does it say about me that my favorite theatrical version features the Muppets?) I still enjoyed learning about all the versions TV has produced, and I was glad that Wilson touched on many of my favorite Dickens-influenced TV episodes, including ones from The Andy Griffith Show, Bewitched, The Avengers, and Family Ties.

It was fun to meet another blogger, and I’m enjoying Wilson’s book, which I highly recommend to all Christmas TV fans.

(Be sure to read her convention recap, too–it has pictures!)

Author Gene Blottner did a presentation on film noir star Audrey Totter and made good use of clips from Totter’s career.

Garyn Roberts, a noted Ray Bradbury scholar, hosted a celebration of the author and gave another talk about Dick Tracy in popular culture.

Celebrity Appearances

As Ed Asner walked into his Q&A session, his cell phone rang. Nodding to the audience, he quipped, “It’s for you.”

This was the perfect introduction for Asner, who was as gruff, unfiltered, and entertaining as you would expect. He had high praise for many of his former co-stars, especially Ted Knight from The Mary Tyler Moore Show and Nancy Marchand from Lou Grant. (He also had high praise for Marchand’s legs.) 

Johnny Crawford from The Rifleman appeared on a panel with Jeff Connors, real-life son of Rifleman star Chuck Connors. Both men recalled the elder Connors with affection. Crawford said that Connors was protective toward him on the set; no director who treated Crawford unkindly would continue working on the show.

Crawford reminisced about some of his favorite guest stars on the show, including John Anderson and Royal Dano. He especially enjoyed working with two-time guest star Sammy Davis Jr., who loved Westerns.

His favorite episodes from the show are “The Pet” and “The Sharpshooter.” (Sam Peckinpah wrote the latter’s script.)

All the talk about the show’s warm father-son dynamic inspired me to make The Rifleman a regular part of my Me-TV viewing.

Crawford also talked his experiences as a first-season Mouseketeer and joked about his crush on Karen, which Cubby thwarted.

Julie Newmar shared a Q&A session with Elizabeth Shepherd, a British actress best known for her role in 1964’s The Tomb of Ligeia, as well as her status as The Avengers‘ first Emma Peel. (Producers quickly replaced her with Diana Rigg, and the scenes that Shepherd shot for the show no longer exist.)

Newmar and Shepherd made an interesting study in contrasts. Newmar was expansive, dramatic, and occasionally random. (She sometimes interrupted Shepherd to ask her an off-the-wall question.) Shepherd was down-to-earth and good at telling stories, as when she described her perilous encounters with trained ravens during the filming of The Omen II.

Newmar said her ballet background gave her the cat-like physique that served her well in her famous Batman role. Her most challenging role was on the short-lived series My Living Doll because it was difficult to find the humanity in her robot character.

An experienced Shakespearean stage actress, Shepherd made an interesting point about theater being a burgeoning new field to the Elizabethans, as social media is to us today. She treated the MANC audience to an excellent dramatic recitation from Shakespeare.

(Note to the loud talker behind me who rarely shut his mouth throughout the Newmar and Shepherd Q&A: Not cool. Seriously. When everyone around you is glaring, it’s time to shut up.)

Margaret O’Brien exuded graciousness throughout her presentation.

She had good things to say about nearly everyone she worked with, from Charles Laughton (“He was wonderful”) to Lionel Barrymore (“He was almost like a grandfather”) to Judy Garland (“She loved children”).

She even had a good relationship with studio head Louis B. Mayer, who wanted to marry her mother, glamorous flamenco dancer Gladys Flores.

O’Brien talked again and again about the supportive, protective role her mother played in her life. Flores made sure that O’Brien got the salary she deserved for Meet Me in Saint Louis. She kept O’Brien in line during the perilous teenage years, once busting her at a nightclub after she sneaked out with Natalie Wood. She kept the child-hating Wallace Beery from stealing O’Brien’s hot lunch on the set of Bad Bascomb. (Beery seemed to be the only person in Hollywood to earn O’Brien’s ire.)

It’s apparent that her mother’s influence kept O’Brien from the pitfalls of child stardom and enabled her to simply enjoy the movie-making process.

O’Brien, who traveled to Japan in 1952 to make the movie Girls Hand in Hand, talked about the importance of travel and getting to know people from other cultures. Again, she praised the influence of her mother, who served as her role model as a strong, independent woman.

“I never feel that I can’t do something,” O’Brien said.

Autographs and Vendors

The welcoming letter in the convention program noted that some people attend only to collect autographs, while skipping all the sessions. I took the opposite approach. I’ve never been an autograph collector, and I feel awkward approaching celebrities–there’s nothing that I could say that they haven’t heard thousands of times. MANC attracts a knowledgeable crowd, so audience members covered most of the questions I would have asked during the Q&A sessions. (I did hope to ask Robert Loggia about his work with Brian Keith on Disney’s Elfego Baca, but Loggia is in frail health, and I couldn’t bring myself to bother him.)

For those who do want to collect autographs, MANC is ideal. Celebrities are available for long periods throughout the three-day conference, so lines stay short, and fans have time to chat with their favorite stars.

Vendor tables lined the main hallway leading to the seminar room. When I didn’t see anything I wanted there, I figured the spending money I brought with me was safe. On the second day, I realized that many more vendors were offering their wares on another floor. I picked up a few vintage books and magazines and a set of Dr. Doolittle paper dolls. I also bought several current books, including books about Peggy Ann Garner and 1950s live television by author Sandra Grabman, who attended the convention.

My only regret was that I didn’t find any good games for future Spin Again Sunday posts.

My overall experience at MANC was wonderful, and I would highly recommend it to all fans of vintage entertainment. The $15-a-day admission price is a small price to pay for seeing your favorite stars in person and hearing from experts on interesting topics. I hope to go again in coming years. (I definitely will if Kathy Garver appears–I’m not missing another Family Affair star!)