When it comes to collecting, I’ve always admired people who have a laser-like focus. I’ve been a collector all my adult life, but the resulting collection is eclectic, to say the least. Today, I present one of the more interesting pieces of ephemera I own—a call sheet from the sitcom Room 222, which ran on ABC from 1969 to 1974.
The call sheet is interesting to me, anyway. (The fact that I was the only one to bid on it when it appeared on Ebay 10 or so years ago suggests the interest might not be widespread. That worked to my advantage though—I only paid $2 for it.) It provides a fascinating window into television production in the 1970s.
A call sheet, as Webster’s defines it, is simply “a daily schedule of filming for a movie or television show.” This call sheet dates from August 7, 1970, when filming was under way for two season two episodes. “Adam’s Lib,” a feminist story about a girl trying out for the boys’ basketball team, would air October 14, 1970; “What Would We Do Without Bobbie?,” an ugly duckling story, wouldn’t air until December 23, 1970.
The “Adam’s Lib” scene featured three day players—Tracy Carver as the basketball player, Terri Messina as the feminist activist, and “Darrell Carson” as the boy who helps them advance their plan to infiltrate the boys’ team. According to the Imdb, the actor’s name is Darrell Larson, and he’s the only one of the three who has acted steadily since then.
This basketball court scene was shot at a playground in Los Angeles’ Rancho Park neighborhood. The female actors had to arrive at 7 a.m. for makeup that day, with Larson arriving 30 minutes later. It looks like they met up at 8 a.m. on Stage 10, Room 222’s usual filming location on the Twentieth Century Fox lot.
The “Bobbie” scenes, filmed on Stage 10, required the presence of series star Denise Nicholas as Liz McIntyre, recurring actor Howard Rice as Richie, and day player Nicole Jaffe as Bobbie. Once again, the women reported for makeup 30 minutes earlier than the male actor. This group got a more leisurely start to their day; filming didn’t start until 10 a.m.
At the bottom of the call sheet, we get a glimpse at what the cast would be doing the following week—reading and rehearsing on Monday, shooting a Walt Whitman exterior scene at Los Angeles High on Tuesday, and shooting more studio scenes on Wednesday (including a scene outside the “Berman Bungalow,” which would represent Bobbie’s house.)
William Wiard directed the filming on this day. Mike Salamunovich was the unit production manager. Both had long and prolific careers in television.
The call sheet’s reverse side details the day’s production requirements. Those requirement were modest on August 7, 1970. They didn’t need any birds, livestock, wranglers, registered nurses, or firemen—not even any coffee or doughnuts. They did need one Los Angeles policeman, a stretch-out bus, a crab dolly and grip, and a “dialogue man.” (The call sheet almost consistently uses “man” in its crew terminology—mechanical effects men, camera men, prop men, makeup men. The only exception is “body makeup woman.”)
This little piece of TV history delights me so much that it might have launched me on a whole new field of collecting. Unfortunately, I haven’t had any luck finding similar items.
To close, I present the Room 222 opening, just because I love the music and the fashions.